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Title: Sangue
Format: Generative audiovisual installation‭ (‬fresnel acrylic screen‭, ‬HD projector and computer‭)
Year: 2006

The installation deconstructs and re-contextualises an audiovisual war report. The original recording shows a journalist who has circumstantially switched his camera on at the moment of a bomb explosion. When this happens, the cameraman looses the control of the device. However, the camera continues recording the facts, in its machine condition. The installation rearticulates the images, automatically recorded by the device, assigning the function of re-presentation to an interface.